Here are the teaching points with more descriptive and colorful language:

## BOOK 1

### Variation 1
- Produce a rich, resonant tone
- Maintain a proper, curved hand position  
- Execute crisp, detached staccato articulation
- Utilize ample, flowing arm/hand motions
- The thumb moves independently from the other fingers
- Distribute weight evenly across all fingers
- Student plays single notes, prompted by "ready" and "go" cues

### Variation 2
- Incorporate syncopated rhythmic patterns  
- Contrast delicate and full, resonant tones
- Emphasize a beautifully resonant "take" note
- The first and last "pop" notes are light and detached 
- Sustain the sound before executing the final detached note
- Develops a singing, cantabile tone quality
- Single note practice
- Transfer weight smoothly between hands

### Variation 3
- Produce a delicate, gentle tone
- Utilize controlled, light finger motions  
- Cultivates evenness in 16th note passages
- Maintain a relaxed, natural hand position

### Variation 4
- Produce a full, singing cantabile tone  
- Execute a smooth, connected legato line without breaks
- Employ "take" and "retake" motions on each note
- Connect notes C to G in an arching "opening flower" hand motion
- Transfer weight into each new note

### Lightly Row

#### Unison
- Sustain a smooth legato on repeated notes
- Play in parallel 3rds  
- Begin with the 5th finger in the right hand
- Coordinate parallel hand movements
- Play 5 notes from C to G with fingers near the black keys  
- Transfer weight smoothly

#### With Accompaniment
- Provide an Alberti bass accompaniment pattern
- Coordinate the melody with the bass line
- Left hand is softer in dynamics
- New left hand ending: C-G-C

### The Honeybee
- Observe phrasing with breath marks  
- Execute a smooth, connected legato line
- Begin with the 5th finger in both hands
- Balance the hands  
- Coordinate the inner voices

### Cuckoo
- Alberti bass features triplet figuration
- 5th finger plays with a full tone
- 3rd finger plays with a lighter tone  
- 3 different endings
- Coordinate and balance (left hand softer, especially on long RH notes)
- Slur the 2nd fingers
- Parallel and contrary motion
- Bar 9 is challenging, focus on legato

### French Children's Song
- Assume a new hand position
- Play new chord shapes
- New starting note (E)
- New left hand endings
- Left hand softer in dynamics

### London Bridge  
- New rhythm pattern
- Begin with the 4th finger in the right hand
- New left hand ending: C-E-C
- Coordinate with the new rhythm

### Mary Had a Little Lamb
- Smooth left hand chords 
- Molto legato, especially on repeated 8th notes
- Coordinate chords with the melody
- Do not rush the final chord

### Go Tell Aunt Rhody
- Shift right hand position in middle section  
- New F major chord
- Faster Alberti bass pattern

### Au Clair de la Lune
- Shift right hand position
- Observe rests/breaks in right hand line
- Different left hand endings (position change)
- Challenging coordination of RH breaks with LH
- Bars 13-16: Parallel left hand motion
- Molto legato phrasing 
- Full, resonant tone

### Long, Long Ago
- Execute smooth finger changes while sustaining notes
- Observe rests/breaks in right hand line
- Bar 9: Large leap (balloon motion), 1st finger light
- New G7 chord
- Coordinate hands over breaks, especially final bar

### Little Playmates
- Melody shared between hands
- Legato and staccato within the same measure
- Smooth right hand 3rds
- Contrasting dynamics  

### Chant Arabe
- New key of A minor
- Left hand double notes molto legato (sustained tone)
- Large left hand leaps - octaves (train/helicopter motion)
- Accented right hand notes (prepare each finger)
- Coordination: RH legato vs LH leaps simultaneously  
- Bars 15-16: Challenging right hand endings

### Allegretto I
- New G7 chord position
- Varied endings
- Contrasting dynamics
- Balance between hands
- Legato on repeated notes

### Goodbye to Winter
- New key of G major
- Tonicizations/key changes
- Two melodic lines in each hand (light polyphony)
- Ritardando in both hands
- Molto legato and diminuendo on final repeated notes
- Contrary motion in middle section
- Final note must be heard clearly

### Allegretto 2
- Rapid parallel scales  
- Clear, precise articulation (active fingers)
- Repeated staccato notes (3 groups of 2 8ths)
- Bars 4, 8, 12: Tenuto endings
- Bars 8, 16: Varied endings
- Balance, especially bars 15-16
- Coordinated unison passages

### Christmas-Day Secrets  
- Shifting hand positions
- Melody transfers to left hand
- 3 distinct articulations (non-legato, legato, staccato)
- Middle section: Thumb crosses under 
- Black keys in left hand
- New left hand double note ending
- Dynamics
- Ritardando with final chord

### Allegro
- Down/up motions on same notes
- First section: Staccato
- Middle section: Singing, cantabile, molto legato with rit.
- Light left hand chords
- Black keys in right hand  
- Left hand non-legato when right hand legato
- Fermata and a tempo

### Musette  
- New key of D minor
- Shapely phrasing, attending to endings/long notes
- Beautiful, vocal cantabile tone
- Bars 7-8: Smooth left hand double notes 
- New G minor chord with black key
- Right hand crosses 2nd finger over thumb
- Bars 7-8: Smooth 5th finger in LH, good coordination
- Shift left hand position

## BOOK 2  

### Écossaise
- Grace notes in right hand
- New pattern: Legato and staccato chords in LH
- Down/up motions in left hand
- Bars 2-3, 6-7, 10-11, 14-15: Challenging RH fingering
- Frequent hand position shifts
- Coordination: LH staccato vs RH legato
- Bars 17-23: Sustain LH 5th finger to the end

### Short Story
- Scales in both hands
- Parallel 6ths and 3rds  
- Upbeat pick-up measure
- Leaps between scales and chords in LH  
- Modulations/key changes
- Crescendos and diminuendos
- Bars 6-7, 9, 14, 15: Difficult fingering

### The Happy Farmer
- New key of F major
- First section: Melody in LH
- Middle section: Melody shared, two-voice writing in each hand
- Bars 3, 7, 13, 19: LH slides thumb from black key to next white key
- Inverted chords
- Varied chord endings

### Minuet in G (I)
- Parallel melodies in each hand  
- Bars 5-6, 13-14, 21-22, 29-30: Emphasize downbeats ("take and be gentle")
- Smooth finger changes while sustaining legato
- Breaks/rests in LH line
- Balanced final sonority 
- RH fingering 31321
- Phrasing in 2+2+4 pattern
- Appropriate character/style

### Minuet in G (II)  
- New key of E minor
- Parallel melodies in each hand
- Arpeggiated figures in both hands
- RH triplets
- Phrasing in 2+2+4 pattern  
- Bars 2, 5-7, 18-19, 25-27: Difficult fingering
- Crescendos and diminuendos
- Bars 2, 4, 10, 12, 34, 36: RH leaps
- Bars 16, 18, 28, 40: Emphasized LH endings

Citations:
[1] https://ppl-ai-file-upload.s3.amazonaws.com/web/direct-files/7336116/de1f70d7-e1d1-4cc8-bba9-92b2178ed05a/Pusty-14.pdf