1.  Pastel version of The Scream on Screen in the Munch Museum in Olso. Pastel on paper, 1893. CC BY 4 The Munch Museum.
2.  There Are two paintings of The Scream (one in the Oslo National Gallery and one at the Munch Museum), two pastels and a number of prints. The 1895 pastel was sold at Sotheby and reached #74 million, which makes it one of the most expensive parts of art ever sold.
3.  2. Munch initially painted and exhibited The Scream in 1893
4.  The Scream, edvard Munch. Lithograph, 1895.
5.  The very first variant Munch was a painting. 2 Years after, he left a lithograph based on this work, with the name'The Scream' published in German below. The versions of the art were central to establishing his reputation.
6.  3. It had been stolen not once, but twice!
7.  Scream on screen from the Munch Museum in Oslo.
8.  Edvard Munch, The Scream.
9.  The Very first time was in 1994, once the thieves broke in through a window and left off with a painting of The Scream from the National Gallery in Oslo. Luckily, it returned and was discovered within three weeks. Armed gunmen broke into the Munch Museum in 2004, sneaking a different version of The Scream, and additionally the performer's Madonna. Both paintings remained missing until 2006, amid fears and at worst, disposed .
10.  Edvard Munch, Madonna. Lithograph. Munch Museum.
11.  4. Ironically, the conservation Procedure Undertaken after the painting's safe yield into the Munch Museum might not have pleased the artist too much
12.  Photo of Munch outside with two CC BY 4 The Munch Museum.
13.  Munch could have seen any marks out of this Period of the painting's lifestyle as a portion. He wanted people to observe how his works evolved and changed over the course of their life, and watched any damage they incurred over the way as a pure process, even departing artworks unprotected outside and in his studio, stating'it makes them good to fend for themselves'.
14.  5. Arrived before The Scream, and maybe shows the moment of isolation Munch felt only before the'scream ripped through character'
15.  Edvard Munch, sketch for Despair. 1892 and oil, charcoal. CC BY 4 The Museum.
16.  Munch Describes this encounter:'I paused feeling exhausted and leaned on the fence [...] My friends walked and I stood there trembling with anxiety'. There are a number of other artworks that accompany it -- The Scream is arguably the best known work from a powerful chain of images which Munch known as The Frieze of Life, initially exhibited in 1893.
17.  6. The figure at The Scream isn't Actually screaming
18.  Detail of the inscription that is German From the 1895 print of The Scream that will be on display in our special exhibition. Lithograph. https://openartimages.com .
19.  The Actual scream, Munch claims, came from the surroundings. The artist published'I felt that a scream pass through nature' in German. Munch's unique name for the work was designed to be The Scream of Nature.
20.  7. It was not Meant to be a Representation of a person shout
21.  Detail from Edvard Munch
22.  Lithograph, 1895. Norway, group.
23.  The Figure is trying to block the'shriek' that they hear around them (the job's Norwegian title is really'Skrik'). The figure appears featureless and un-gendered, therefore it that is maybe one of the reasons why it has become a universal symbol of anxiety -- and is de-individualised.
24.  8. Powerful expression has proliferated into everyday life -- and can be one of just a couple of artworks to be turned into an emoji
25.  Another Is The excellent Wave by Japanese artist Katsushika Hokusai (1760--1849), that is an element of the Museum's collection.
26.  9. It has also made it into Pop Art and Culture
27.  Peter Brookes (b. 1943), The Scream. Black and ink with watercolour And bodycolour, 2017.
28.  By Andy Warhol into Manga, and Halloween Masks to film, The Scream continues to fascinate people and influence visual culture to the day. British artist Peter Brookes employed the picture as the foundation for this drawing printed in The Times in 2017.
29.  10. The figure from The Scream may have been motivated by a mummy
30.  The pose of this head with palms cupped Around it could have been inspired by the artist's memory of a hollow-eyed, bound Mummy on display in Paris in the Musée d'Ethnographie du Trocadéro at the 1889.
31.